Eventually, we will get 48khz resolution on the audio, but now we have to settle for a fraction of that. The audio quality is pretty low right now. Why isn’t this happening now?Īs of August, 2023, there are still a few hurdles. They require working in MIDI-like sections, where instead of producing one track, you must produce thousands of individual notes and the instructions on how to put those notes together. These are fairly difficult to implement now. You can also mute or mix different layers of a piece of music to go from calm to exciting (like in an open world RPG where if you wander to where there is nothing, the music starts becoming thinner, and if you wander closer to interesting things, the music picks up). Changing tempo to match the situation is common (like when everything speeds up for the last lap on Mario Kart). We’ve had hints of dynamic orchestration for a while. There should be a music difference between “campsite music for a party of 4”, and “campsite music for a party of 4 who just picked up a vampire helper… and the night may not end well.” In an RPG, you can use music for setting and mood. With Dynamic Orchestration, each playthrough will have a unique soundtrack. If 500,000 people are playing Baulder’s Gate – each of them are getting the same soundtrack. Same opening theme, same battle music, same ‘pause screen’ music. Right now, every playthough of a specific game has the same music. Most folks think these will be used in studios to produce soundtracks, and they are right. There is a lot of hoopla out there with AI generated music and virtual singers. They may need to invent a distribution model so innovative that it’s simply better than anything else. They may have to work in secret and employ rapid distribution models. Studios can be profitable with or without copyright protections, but they will have to do things differently. There are plenty of countries where counterfeiting and piracy are daily occurrences-India, Nigeria, and China all have high levels of piracy, yet they also produce a lot of content.Įven if you eliminate counterfeiting and piracy, copyright doesn’t grant profitability. That’s not to say that the media won’t be profitable. But if producers use AI, they will find themselves competing in the marketplace without the protection of copyright on their stories. Media producers will, of course, want cheap, good writers. The currently striking Writers Guild of America just received the biggest piece of ammunition for their cause. Given the producer’s love of copyright, that’s going to be a tough decision to make. If you ask an AI to analyze the world’s data and come up with the absolute best story, that story will be in the Public Domain. Processed recording from the Hindenburg Disaster:Ī content creator could get an AI writer to craft their story, but they won’t own the copyright on that story. Original recording from the Hindenburg Disaster: Old audio recordings that suffer from degradation or noise could potentially be cleaned up for historical or educational purposes. This tool can clean up live event recordings for later broadcasts or archives. You don’t need to care if your guest has a great mic setup! Adobe Speech Enhance can unify the sound quality for a more professional output. Conducting interviews over video conferencing software can result in varied audio quality due to different mics and environments. New plan: Leave the setup at home and record remotely with your phone. Pro travel setups can be really annoying and heavy. Lectures are often known for having bad audio. If you record in a noisy environment with traffic, or other noise. When it does, you can use whatever backup audio from whatever mics happen to be around.Ĭleaning Up Walk-and-Talks. Sometimes your primary recording device fails.
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